Rebel without cause

But with my pen, we will talk in your name....and refuse the system

Some people think that the music is a tool of entertainment intended to feed the mass, to spread any idea awareof the music as art and instrument of thought. Here, the groove is a weapon, a weapon of an indéfinissable minority which leaves Africa, suburbs, of distant one working class or man and women in the scoffed rights, find in the feather been furious a small way of expression against a system which we define as unwavering.

I want to speak in the name of mine, to translate into music the fury which it takes me when every time I observe these injustices which are go alongside to our everyday lives. In a big absolute silence, we ask us to keep silent, to make as if the world had to follow its inevitable court, to confuse the music in the cacophony to which many artists give up their souls and forget the reach of the words.

When we know the fight of so many men and women for the freedom and the justice, as to be black, I may not devote to the ambient dumbness, contribute to the hegemony of the stupidity which soon will ravage Africa and our children. I call it then to black artists. They owe then become aware of the strength of a music which maybe a catalyst of revolution.

Understand the music of bantunani, the bantu spirit is alive

Nu-Rumba: a break and a meeting
A musical break the guitar rumba which formerly evoked the cheerfulness and the freedom from care sank into the naivety, becoming an instrument of power, accompanying a forced enjoyment.

The nu-rumba returns to this guitar its derisive role of small storyteller of trouble, its small comments on the story of the singer.

A political break.
BantuNani exactly takes up with the tradition of the committed artist, the interpreter of the sufferings of the large number, the one who speaks when everybody is reduced to the silence.

A story of a meeting, Nu-Rumba it is the story of a meeting: the meeting of two generations of Congolese musicians: the former, which knew the stars of the Congolese rumba and for whom the mockeries of the guitar Zairean have no secrets and piece of news, tired of the popularization of its music and in search of its true roots.

Meeting of the musics,
NuRumba or the success of the musical interbreeding.
In this first album RumbaLounge, everything is meeting. Musical meeting at first because all the styles cross themselves in this album and it is always a pleasant surprise because it is inside even in every title as the currents get involved and with so much subtlety as only a deep knowledge and a true passion of the music could allow it.

Of the album 'RumbaLounge'
Musicalemnt, the album exceeds by far the frame announced by Afrobeat-Rumba, it is clearly influenced by the current various adults of the Black music and reties often forgotten links. We offer to volontier a journey from Franco, from Bob Marley to Michael Jackson; a journey of Afrobeat in the disco; but confirm here its personal accents which gives its a sincere originality. It really appears as a synthesis of a roaming and insatiable author in a collection of fusion.

In this album without complex, we re-know above all the expression of a Parisian music because the main part of the artists arise from the underground scene and it, with pronounced Latin contributions which find a particular echo in this African base.

YOU BETTER LET MY PEOPLE GO........I DO REFUSE WARISATION...I'VE HEARD ABOUT AFRICANISATION